



Ballindalloch Castle (also known as The Pearl of the North) is a castle between Dufftown and Grantown-on-Spey, in the Moray region of Scotland.
The first tower of the Z plan castle was built in 1546. After it was plundered and burned by James Graham, the first Marquess of Montrose, it was restored in 1645. Extensions were added in 1770 by General James Grant of the American Wars of Independence (whose ghost is said to haunt the castle) and in 1850 by the architect Thomas MacKenzie. Further extensions carried out in 1878 were mostly demolished during and modernisations enacted in 1965. It has been continuously occupied by the Russell and Macpherson-Grant families throughout its existence.
The castle houses an important collection of 17th century Spanish paintings. The dining room of Ballindalloch is said to be haunted by a ghost known as The Green Lady.
The castle grounds contain a 20th century rock garden and a 17th century dovecote. The rivers Spey and Avon flow through the grounds, offering excelleing fishing. The famous Aberdeen Angus cattle herd resides in the castle estate.
Today, the castle is still occupied. It is open to tourists during the summer months and a number of workshops on its grounds are in active use.




A séance (pronounced: [seɪɑ:ns]) is, on its most basic level, an attempt to communicate with the dead via a protocol or ritual, generally done in a small group setting. The séance, or sitting, is led by a person known as a medium who will usually go into a trance that theoretically allows the dead to communicate through him or her.
The word séance comes from the French word for ’seat’, ’session’, from Old French seoir, ‘to sit.’ In English, the word came to be used specifically for a meeting of people to receive spiritualistic messages (a sense first recorded in English in 1845). In French, it is much more general: one can say une séance de cinéma.
Séances are conducted in dark or semi-dark rooms with participants seated around a table. Some say this is to help the medium use tricks to fool the participants. Sometimes the table leans and tilts, participants (sitters) might feel a cold breeze on their faces, items can materialize apparently out of thin air and musical instruments might play mysteriously. During the course of the séance, the medium speaks under the apparent control of a spirit, relaying messages from the dearly departed. Other methods of spirit communication include automatic writing, writing on sealed slates, writing with planchettes (similar to the Ouija board), impressing images onto photographic plates which have been kept in sealed enclosures, and painted images which gradually appear upon previously blank canvas.
Belief in the ability to communicate with the dead is part of, although not exclusive to, a religious movement called Spiritualism, which flourished from the 1840s until the 1920s and still exists in various forms today. Skeptics generally consider séances to be scams, or at least a form of pious fraud. M. Lamar Keene once practiced scam séances, but revealed the fraud in his book, The Psychic Mafia (Randi 1995:135).
Channelling
A “Channelling” is a common element of a séance. This is said to be the process by which the medium allows a spirit limited use of their physical body to communicate with the sitters present. However, this possessing entity, this elusive being cosisting of nothing more than one’s psychosis is limited to the constructs of one’s being. This is distinct from the concept of ‘possession’, which is considered to be the complete, non-consensual takeover of a living being by a spirit or demon, and is usually detrimental to the ‘victim’. Channelling, on the other hand, is assumed by believers to offer opportunities for more positive and mutually respectful interaction between the living medium and the spirit. The most commonly-reported physical manifestations of channelling are an unusual vocal pattern or uncharacteristic physical behaviours by the medium. Therefore, channelling is quite easily faked, and is considered by skeptics to be a rather basic ‘trick’; although for participants, hearing a message believed to be from a dead loved one can be an emotionally powerful experience.
Séances in media


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